Bundle Landmarks nobody had to build Oddball landmarks put up by towns, clubs and people with a welder, some for a laugh and most in dead earnest.
Bundle Go for the one strange fact Places you visit for one specific fact you can check, not for the view.
Bundle The thing is gone; the shape stayed Each of these is the negative space where something used to be.
Bundle Built where it had no business being Things that turned up somewhere nobody had put one before.
Bundle Things that changed jobs Buildings and objects that lost their first purpose and found a stranger one.
Bundle Nothing standing in between Each of these took out whatever was sitting between you and the thing.
Bundle Maps of the unmappable Maps of what usually goes unmapped: sound, shade, silence and film locations.
Bundle Kept because somebody decided to Places that survive because one person or one town declined to let them go.
Bundle No gate, no ticket, nobody guarding it Things standing in the open, with nobody collecting anything at the door.
Bundle Not built to be visited Places built for work or daily life that people cross countries to see anyway.
Bundle A small job, made into an occasion Routine acts, each given a small ceremony nobody strictly needed.
Bundle Small mercies for the trip Travel gear that each deletes one specific misery of getting there.
Bundle They only sell the one thing Places that cut their inventory down to one subject and got better at it.
Bundle Worth stopping the car for Detours worth pulling over for, plus the maps for planning the rest.
Bundle The colour is doing the structural work In each of these the colour is load-bearing, not applied afterwards.
Bundle The conversation kept going A phone booth, a letter and a journal, each carrying on a conversation after one side of it had gone.
Bundle The light does the rest Three things whose makers set the stage and then let light do the work.
Bundle Figures made to move Three sets of small figures, each made to move by a different century's method.
Bundle Another city's cooking, in London Fukuoka, Hong Kong and Milan, each cooking the way it does at home, three London postcodes apart.
Bundle The tree is the exhibit A lone ash on a Glasgow street, a forest that is its own museum, and the poplars Monet refused to treat as background.
Bundle One place living inside another Each of these moved into a container somebody else had already built.
Bundle Nobody in costume Five places a few miles from Colonial Williamsburg, none of which asks you to imagine anything.
Bundle Look down, not out Four places where the view is the least interesting thing about where you are standing.
Bundle Out of the spare room, onto the street Each of these started as one person's private habit and ended up on a corner.