Today’s catch is three recordings that kept the evidence in. A choir using a decommissioned Helsinki oil tank instead of a reverb plugin, a band playing the cash-register loop from “Money” with an actual money counter in the building where it was first spliced, and 67 session tracks of a film score caught while it was still being argued about.
Monastic chant returned to a room with a monastery's reverb
→ theawesomer.com
The tape loop that opens the song, played live at Abbey Road
→ openculture.com
67 tracks of a score being built, assembled by someone who cared
→ kottke.org