One designer’s eye across fifteen years of movie art: Akiko Stehrenberger’s Uncut Gems screenprint, Noriyoshi Ohrai’s Mad Max 2, Andrew DeGraff’s La La Land drawn as a map, Sister Hyde’s covers for the Criterion Kubrick set. Roger Erik Tinch started Reelizer in 2011, let it lapse, and has relaunched it as a searchable collection of 218 works — every piece credited to its artist, browsable by film, artist or collection.